In art, a study is a drawing, sketch or painting done in preparation for a finished piece, as visual notes, or as practice.[1] Studies are often used vĩ đại understand the problems involved in rendering subjects and vĩ đại plan the elements vĩ đại be used in finished works, such as light, color, sườn, perspective and composition.[2] Studies can have more impact than thở more-elaborately planned work, due vĩ đại the fresh insights the artist gains while exploring the subject. The excitement of discovery can give a study vitality. When layers of the work show changes the artist made as more was understood, the viewer shares more of the artist's sense of discovery. Written notes alongside visual images add vĩ đại the import of the piece as they allow the viewer vĩ đại share the artist's process of getting vĩ đại know the subject.
Studies inspired some of the first 20th century conceptual art, where the creative process itself becomes the subject of the piece.[citation needed] Since the process is what is all-important in studies and conceptual art, the viewer may be left with no material object of art.
Studies can be traced back even as long ago as the Italian Renaissance, from which art historians have maintained some of Michelangelo's studies. One in particular, his study for the Libyan Sibyl on the ceiling of the Sistine Chapel, is based on a male model, though the finished painting is of a woman[citation needed]. Such details help vĩ đại reveal the thought processes and techniques of many artists.[3]
- Studies
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Leonardo domain authority Vinci's study of embryos, c. 1510-1513
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Studies by Abraham Bloemaert, ca. 1626
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Head of Minerva, Elihu Vedder, 1896. Preparatory study. Oil on canvas, 125 × 80 cm
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The corresponding final work, Elihu Vedder, 1896, mosaic.
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